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With clips from her early acting days to Saturday Night Live skits and James Corden parodies and her acting roles on Kevin Smith’s Dogma (where she played God) to Curb Your Enthusiasm, the montage was effective: Morissette is more than a colossally successful artist. Morissette’s entry to the stage was preceded by a retrospective video that cleverly reminded audiences of her indisputable significance in music history. Morissette was a rock star onstage who held pop star appeal for endless radio play, with a critically acclaimed record in a time that was rampant with albums consisting of one-hit wonders stuffed with filler for the sake of CD sales.īy the time she entered the stage around 9:20 p.m., thousands more Morissette fans had shown up and were piling onto the venue’s lawn like it was Woodstock to celebrate the occasion of her tour, the 25th anniversary of Jagged Little Pill.
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In addition to breaking sales records with the ubiquitous Jagged Little Pill, Morrissette paved the way for a slew of young (white), angsty female singer-songwriters. Manson and Morissette remain two of the biggest female rock stars of all time, and both were enormously influential. Morissette fandom, on the other hand, was democratizing her popularity across the board made her a commercially successful phenom. They weren’t an obscure find by any means, but despite their success, weren’t particularly mainstream, either.
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But at the time, Garbage was a band favored by the kids who smoked behind the school building, whose favorite movie was probably Trainspotting and who subscribed to music magazines to find new bands. The uniting thread among the artists in the lineup is obvious now. The band closed its set with a stripped down “I’m Only Happy When it Rains” and exited cooly, with no encore.